A brief history of contemporary ballet

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A brief history of contemporary ballet

History through The emergence of ballet in the courts of Europe Ballet traces its origins to the Italian Renaissance, when it was developed as a court entertainment. During the 15th and 16th centuries the dance technique became formalized.

As a court entertainment, the works were performed by courtiers; a few professional dancers were occasionally participants, but they were usually cast in grotesque or comic roles. The subjects of these works, in which dance formed only a part alongside declamation and song, ranged widely; some were comic and others had a more serious, even political, intent.

Eventually, developments at the French court pushed the arts aside, and the court ballet disappeared. But Louis XIV had established two academies where ballet was launched into another phase of its development: It was to last until the s. The academy was created to present opera, which was then understood to include a dance element; indeed, for fully a century ballet was a virtually obligatory component of the various forms of French opera.

These works combined singingdancing, and orchestral music into numbers that were unified by a loose theme.

Contemporary ballet - Wikipedia

In the early years the most accomplished dancers were male, and it was not until that the first principal female dancer, Mlle La Fontaineappeared.

Gradually she and her successors became nearly as well-known and respected as male dancers such as Michel Blondy and Jean Balon. Its origin can be traced back at least towhen in London John Weaver produced The Loves of Mars and Venuswhich he claimed echoed the pantomimes of ancient Rome.

There Noverre was befriended by the actor David Garrickwho became an important influence in his artistic development. Although the other ballet masters, Jean Dauberval and Maximilien Gardel, forced Noverre out of the organization, they were no less committed to the new genre he had introduced.

The revolution put an end to such support. The turn of the 19th century was a time of confusion for the arts, during which ballet gained greatly in popularity and prestige at the expense of its sister art, opera.

Gardel was not only an experienced administrator but also a choreographer, esteemed throughout Europe. Meanwhile, ballet had also taken root in other European cities, most notably in Vienna and in Italian cities such as Milan and Naples.

Contemporary ballet - Wikipedia

Among other celebrated choreographers working in Italy at this time were Gaetano Gioja and the French-born Louis Henry. Ballet as an aspect of Romanticism The world changed fast after the defeat of Napoleon in The base of the Parisian theatregoing public was broadening with the rise of a wealthy middle class, while in matters of artistic taste the younger generation rejected the neoclassical preferences of their elders and surrendered to the growing vogue for Romanticism.

Ballet itself would be radically changed.

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Trained by Coulon and polished by her father, Taglioni had a style that set her apart from her contemporaries; she projected a spiritual quality that was said to touch the soul, and her virtuosity was subjugated to the creation of mood.

The years from about to were a golden age for ballet. Taglioni was followed by other great stars, who like her enjoyed international renown, including the Austrian Fanny Elssler.

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After Elssler came Carlotta Grisiwho created the title role in Gisellea ballet that remains, somewhat modified, in the 21st-century repertoire. The age was dominated by the ballerina at the expense of the male dancer. One centre in which the male dancer held his own was Copenhagen, where the Paris-trained August Bournonville directed the ballet for many years.

He produced many ballets, including his own version of La Sylphide and Napoli ; both of these have remained in the repertoire into the 21st century, and both convey an authentic flavour of the Romantic style. London was another important centre of ballet at this time, but there ballet was largely an imported form, dominated by visiting stars from the Continent and by French choreographers.

Outstanding among these was Jules Perrotwho produced a string of masterworks, including La Esmeralda and the all-star Pas de Quatre However, the great flowering of ballet in London was to be of short duration, and some 80 years were to pass before the first stirrings of a truly English ballet tradition were felt.Ballet: Ballet, theatrical dance in which a formal academic dance technique—the danse d’école—is combined with other artistic elements such as music, costume, and stage scenery.

The academic technique itself is also known as ballet. This article surveys the history of ballet. Ballet traces its origins to. Contemporary ballet is a genre of dance that incorporates elements of classical ballet and modern dance. It employs classical ballet technique and in many cases classical pointe technique as well, but allows greater range of movement of the upper body and is not constrained to the rigorously defined body lines and forms found in traditional, classical ballet.

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A brief history of contemporary ballet

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History. George Balanchine, Contemporary ballet uses different types of costumes, ranging from traditional to more modern tunic type versions. The music choices may vary as well. In Classical ballet, most often the choreography is done to classical music. In contemporary ballet, the music can range from the traditional classical music to.

Constitutional framework The ten greatest ballet dancers of the 20th century 28 October
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BibMe: Free Bibliography & Citation Maker - MLA, APA, Chicago, Harvard George Balanchinea contemporary ballet pioneer George Balanchine is often considered to have been the first pioneer of contemporary ballet. However, the true origin of contemporary ballet is credited to Russian art producer Serge Diaghilev.

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The ten greatest ballet dancers of the 20th century - Classic FM